Wednesday 24 October 2018

The Bogan Mondrian


The Bogan Mondrian by Steven Herrick, (UQP)  PB RRP $19.95  ISBN: 9780702259982

Reviewed by Pauline Hosking

Luke, a Year Eleven student from ‘the wrong side of the tracks’, becomes a catalyst for helping Charlotte, a girl from a wealthy family, address the domestic violence occurring in her home. Steven Herrick chose these backgrounds deliberately because, as he says, domestic violence ‘is an issue that affects people from all classes, races and religions.’

Luke’s father has recently died from cancer. Trying to come to terms with the loss, Luke sleepwalks through each day, wagging school and compulsively taking photos. When he discovers the truth about Charlotte’s home life, he realises that his own life could be worse. Much worse.

This is a powerful story, told by Luke in first-person prose, celebrating courage, compassion and friendship. It is set in Katoomba and the background and characters are clearly Australian.

The book raises questions about what it means to be a man and a father in today’s society.  On the surface Charlotte’s father is a charming, successful business man. His darker side is hinted at, not described in great detail. By contrast, Luke’s father was a gambler, a drinker and smoker -  a rough diamond who adored his family. Luke himself displays unexpected strength and kindness as does his friend, basketball-obsessed Blake.

Steven Herrick is better known for his verse-novels like The Simple Gift. The poet in Herrick is obvious as he doesn’t waste a word and uses some beautiful, evocative images. Although the subject is serious there are many moments of humour between Luke and his mother, and between Luke and a neighbour who’s teaching him to swear in Italian.

The resolution is believable and will have readers cheering. The Bogan Mondrian is highly recommended, especially for boys from Year 8 upwards.

The title might confuse some readers. Here’s the explanation: Charlotte has painted her bedroom walls in squares like a Mondrian painting, turning the room into her retreat from the world. At the end of the book Luke (the bogan) paints his room exactly the same. This time it’s not a retreat, it’s a celebration.

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