Max and
the Midknights by Lincoln Peirce (Macmillan)
PB RRP $14.99 ISBN 9781529029260
Reviewed by
Nikki M Heath
Power politics, feminism, egalitarianism, history, magic and satire: an
unusual list of ingredients for a children’s book, but in Max and the Midknights, Lincoln Peirce mixes them with great effect
to create a funny, absurd and fast-paced illustrated adventure story with
multiple layers and broad appeal.
Max is introduced as the long-suffering sidekick of her troubadour uncle
Budrick. A twist at the end of Chapter 3 reveals Max to be a rebel against
gender and socio-economic stereotypes and sets up the central conflict. Max is
horrified by the injustices rife in Budrick’s childhood hometown of Byjovia and
meets a cast of downtrodden and frustrated victims of tyrannical King Gastley’s
regime. What follows is a rollicking adventure story, as Max and the motley
band of highly engaging supporting characters seek to overthrow Gastley.
The medieval fantasy setting provides context for exploring the themes
of the book as well as an excuse for absurd humour. The dialogue drips with
puns and amusing archaic exclamations (gadzooks!).
The central theme - giving everyone the chance to fulfil their dreams and
potential, regardless of gender, class or origin - is a consistent undercurrent
throughout the story before becoming a key element of the final resolution.
The book is made up of comic strips connected with passages of narrative
text. This format will engage even reluctant readers, although it poses a
challenge for anyone attempting to read the text aloud. The strips are assured
and effective, in a style recognisable to anyone familiar with Peirce’s Big Nate comic series and books.
This is a book that will appeal widely to 8 to 12-year olds, especially
those who enjoy a fast-paced adventure story featuring a plucky underdog. While
younger kids may also enjoy the story, it’s worth noting that there are zombies
rising from the dead and a few other hairy moments which may affect more
sensitive readers.
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